Showing posts with label Spielberg. Show all posts
Showing posts with label Spielberg. Show all posts

Saturday, June 27, 2015

Favorite Scene Friday! Jurassic Park: Mr. DNA

Our month of Jurassic Park appreciation comes to a close today. Surely one of the greatest themes of the series is tampering with nature. So much like Hammond and his park scientists we have spliced together my FSF with Jay's. It's like the old saying goes: God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs. Man creates Favorite Scene Friday. Oh, the humanity!

Beware minor spoilers for Jurassic World!

RZ: A lot of scenes in Jurassic Park were awesome simply because of the awe factor or they were just interesting. As we pointed out earlier in the month, the movie could feature scenes with no dinos at all and it was still awesome. Exposition is the name of the game here. The Mr. DNA scene doesn't really have any dinos but it's one of the best scenes in the movie. What do you think, Jay?  

JC: This is one of my favourite scenes because it's perhaps one of the greatest methods of exposition delivery in all of cinema. All too often plot explanations are given through stilted, forced dialogue between two people who both already know everything that is going on, and is purely for the audience's sake, but here it makes perfect sense. The main question on everyone's mind - both watching the film and the characters in it - is how are dinosaurs being made considering they're very definitely extinct, so of course there would be some kind of video explanation. And of course it will be simple enough and told through the kinds of easily understood cartoons you'd see in education videos at school, because children will be there trying to understand it! Every detail of the video is perfect, from the crude, simplistic animation to the manic anthropomorphised Mr. DNA, as how will kids possibly pay attention without a DNA strand with eyes jumping around and flying all over the place?

Jurassic Park Wikia

RZ: Was John Hammond supposed to be here for this thing every time? Or was this maybe supposed to be for friends, family and investors? Maybe they'd get another actor to do the regular tours?

JC: This is something that actually bothers me about this scene, as it's clearly set up for John Hammond to be there for every screening. If it's only going to be shown once a day then fine, I imagine that's conceivable, with maybe a backup video with Dr. Henry Wu there instead just in case Hammond is ill or otherwise engaged, but if it's going to be shown multiple times a day, or even continuously, then it's just implausible. And the Hammond on stage has so little interaction with the video - all he does is say maybe three lines from his script, then pretends to take a sample of blood from on-screen Hammond - that it seems ridiculous to even have someone interacting with the video in the first place. It'd make much more sense for the on-screen Hammond to do the entire introduction himself, pricking his own blood and going from there. Using a live person for thirty seconds outside of the video is just gimmicky.

RZ: The voice of Mr. DNA - Greg Burson - is great. I'm not familiar with any of his other work despite the fact that he's in a movie called Little Nemo: Adventures in Slumberland that I used to watch all the time. What did you think of Mr. DNA's cameo in Jurassic World? I was personally wanting more, I think it actually would have been great to have the John Hammond video playing on the exact same ride somehow.

JC: Whilst I was happy to see Mr. DNA cameoing in Jurassic World (even if his original voice by Greg Burson had been replaced by Jurassic World's director's, Colin Trevorrow) I didn't mind his limited screen time. It makes sense within the context of the film that there isn't a mandatory behind-the-scenes ride to go on now, seeing as people have become bored of the attractions, I can't imagine many would care how they came to exist, but those who do can see it on the relatively small mini-attractions in the museum area. I wouldn't have minded more of Mr. DNA, but I think they used just the right amount. Why do you think Mr. DNA has become such an iconic character?

RZ: I think maybe it's because he's just such a weird goofy bit of whimsy in a movie that's otherwise scary and/or serious. It was also just a great bit of world building that Spielberg and co. put into the film, so much so that I was hoping it would make a follow up appearance in Jurassic World.

JC: The only other scene in the original film that has aged worse than this is the hacking scene, which has its own set of flaws and problems, and there's no big surprise that we aren't covering it this month. It's a problem that occurs whenever technology is shown on film, it immediately becomes dated as soon as something more advanced comes along, and nothing looks more dated than virtual reality gloves, especially when those virtual reality gloves are being used to manipulate vitual reality DNA strands. Nonsense. The actual ride portion has aged well, although nowadays there'd probably be individual harnesses descending from above to restrain people into their seats, but then you wouldn't have the surprise that it's a ride, and the magic would be lost. And Mr. DNA would be CGI-motion-captured by Andy Serkis.

RZ: It is a bit of a novelty to see hand drawn animation in this day and age. And of course, the way they talk about supercomputers and virtual reality is chuckle worthy. The VR specifically reminds me of the goofy ass virtual reality scenes in Disclosure. Also, double breasted suit, what???

JC: I love how even though he's being shown the wonders of how dinosaurs are being created in the modern day, Ian Malcolm still takes a moment to check out Ellie whilst she marvels at the discovery of cloning. She seems mesmerised and fascinated with the whole process, whilst there's a sense of realisation behind Alan's eyes that he may no longer be necessary to the world. In the brief shot of Malcolm, he seems to already be forming his arguments for the lunch scene against the whole ordeal, and when we see Gennaro, well he may as well just have dollar signs covering his whole bemused face.

RZ: Everyone genuinely seems to love this video, yes, even the blood sucking Gennaro. But I totally agree, you just know he's gotta have dollar signs on the brain still. Regarding the main three heroes, I love that they're almost instantly talking about "massive sequence gaps". I also particularly love the shot of Grant as the camera zooms in on him and under the restraint bar.


What's your favorite scene in Jurassic Park?

Friday, June 5, 2015

Favorite Scene Friday! Jurassic Park: Lunchtime Argument

"WHAT'S YOUR FAVORITE SCENE FROM JURASSIC PARK?!"* It probably prominently features a dinosaur, CGI or animatronic. Well this week's scene doesn't have any!

Barbarian Factory via JoBlo

One of my all time favorite scenes from the original film is the lunch scene, the one where John Hammond (Richard Attenborough), Drs. Malcom (Jeff Goldblum), Grant (Sam Neill [Sam, why the hell do you have two Ls in Neill?!] and Sattler (Laura Dern), and Gennaro (Martin Ferrero) are gathered around for Chilean sea bass after a brief tour of some of the facilities. Gennaro - ever the smarmy asshole - is gushing about how much money the park is going to make, while Hammond is insisting that it should be available for everyone to enjoy, regardless of how rich they are. Dr. Malcolm isn't having any of it, of course, and lectures them about how naive they're being (love how he pounds on the table to make his point). Drs. Sattler and Grant pile on. The point of this scene is that it's a great discussion about the ethics of the core idea behind Jurassic Park. And that was Jurassic Park as a whole, really - they didn't want to just show you dinosaurs, they wanted to talk about the ethics and the real world implications. Is it ethical to bring dinosaurs back from extinction? Or smart? This scene is also home to some of the movie's best lines ("Your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should.").



I hope you guys are in the mood for some Jurassic Park, because Jay and I are featuring scenes from the franchise all month to celebrate the release of Jurassic World next week!

What's your favorite scene from Jurassic Park?

Would you be up for bringing dinos back to life?

*Scream this at one of your friends this weekend.

Friday, July 18, 2014

Favorite Scene Friday! Jurassic Park: Special Delivery

This week's FSF! was written by Jay from Life vs Film!

Mondo

When Robert asked if I'd be interested in writing another Favorite Scene Friday, and during the month French Toast Sunday is celebrating the work of Steven Spielberg no less, there was only one possible film I'd be talking about. Jurassic Park is hands down my favourite movie of all time, and I talk about it as often as possible, so here I am talking about it again. I'm aware that Robert has highlighted a scene from Jurassic Park before - when Dr. Grant and Dr. Sattler first clap eyes upon some dinosaurs - but that isn't my favourite scene. I could quite happily do a whole series of posts on this movie, with my top 5, 10 or maybe even 15 scenes in the film (20, if you include the rest of the franchise), but I'm going to stick just with one, the opening.



After the Universal logo, and over the opening credits, we get the start of John Williams' awesome score, but here it isn't in rousing mode, it's ominous. There's something coming, something deadly, something the crowd of hard-hat-wearing workmen are equally anticipating and dreading. I love how the trees rustle, and everyone is looking up in expectation, and we're supposed to think a T-Rex is going to come crashing through the trees. No, that's later. For now, we get a fork lift truck carrying a crate, big enough for a large horse, or a six-foot turkey, if you will. The most we see of what's in that crate is a couple of shots of its terrifying eyes through the slats in the side, yet with the use of some great sound design, terrific reactions from the men unloading the cage, and some animatronic flailing from the crate, we completely believe there's a dinosaur in that cage.

Of course, it helps when said dinosaur actually kills someone, which is what happens, less than four minutes into this film. Bearing in mind this is a movie entirely based around dinosaurs as being a theme park attraction, the concept of them killing and eating the customers or staff at said theme park may not have been forefront in the minds of the movie's audience upon that first viewing. It's understandable that the workmen in the film are apprehensive of this large, unknown creature before them, but do any of them think their lives are really at risk? Probably not, other than Muldoon, the only guy who can make tight khaki shorts look badass, even at night, but maybe these workers should have been a bit more wary, especially the gatekeeper, whose job it is to climb on top of the cage containing a live velociraptor and pull up the rather heavy-looking door, releasing it into its enclosure. I'll say that again. He gingerly mounts a cage, holding a LIVE VELOCIRAPTOR. It's not sedated (why the hell isn't it sedated? WHY?), it's not unconscious, it's a giant, carnivorous, eating machine, surrounded by a walking buffet. Of course, it all goes a little awry and we're left with Muldoon desperately trying to hold on to the man being dragged into the cage, the doomed man's arm gradually slipping through Muldoon's grasp as he bellows "Shoot her! Shoot her!" whilst the beast shrieks and screams in a blood-lusting frenzy.

If you didn't know dinosaurs were dangerous before this point, you bloody well do now.

What's your favourite scene from Jurassic Park?

Thursday, January 5, 2012

Favourite Scene Friday! Close Encounters of the Third Kind: First Contact

Feast your eyes on to the escape hatch!'s first guest Favourite Scene Friday - our first guest post in general in fact!  

Today's scene comes to us courtesy of Ruth from splendidandlovely.blogspot.com and it's an awe-inspiring piece of Spielberg's classic alien encounter flick Close Encounters of the Third Kind.   
Ruth's blog has a great feature on classic trailers. You can also visit her on Twitter - @RuthElizabeth_R. 

It's so hard to narrow down my favourite movie scenes of all time, but I can never go past this scene from Spielberg's Close Encounters of the Third Kind. 

Wikipedia
I have my Dad to thank for introducing me to this film. I was only fourteen at the time, and I was right into Star Trek - I was watching the films over and over again, and he came home with the DVD one day and said something like "Here, this is a really good film. Can we watch it instead of Star Trek again?" I'm so glad he did that. 

We pick up this scene just after Roy Neary, who has been plagued by his desire to understand his alien encounter the entire film (to the dismay of his family, who believe he's become unstable) has literally climbed the Devils Tower, under a strange compulsion he just can't explain. Of all the people who have been touched by the strange experience, he and Jillian (Melinda Dillon) are the only ones to have made it this far, Jillian drawn by the desire to find her son Barry, who is missing. The initial contact with the aliens was successful, and the government team, led by Claude Lacombe (Francois Truffaut in one of his few acting roles) are congratulating each other on their success, when the mothership appears - everyone is awed by its size and majesty, having thought that contact was over. They play the five tones that the aliens have been transmitting to them, and this is the result. 


The film has been slowly building to this moment from the opening, and this scene entrances me every time I watch it. The music is just incredible for one thing - it makes me feel incredibly alive. The look of joy on everyone's faces - Richard Dreyfuss and Truffaut especially - is a mirror for what the audience is made to feel. There is such a sense of optimism and hope radiating that I can't help but smile. This is probably one of the few films out there that deals with "first contact" between humans and aliens in a positive manner. It takes the view that if aliens exist, it doesn't mean they have to be hostile. This kind of joy is missing from a lot of cinema nowadays (J.J. Abrams rediscovered it in Super 8) and it's something that I miss and crave at times (not that I was around when this film was released, but it's nostalgic all the same!).

The music ends here on a rather ominous note (Jaws theme anyone?) and so ends my scene, but if possible what follows is just as amazing. It's a great film and this scene is definitely - if not my favourite ever - in my top ten.

Wednesday, November 2, 2011

Escapism Essay: Outbursts!

Let’s face it – we all lose our shit every now and then. Most of the time, our emotions are to blame, and that’s understandable, right? We’re filled with stress, anger, pain, and fear and any one of these can cause us to explode if we’re not careful. People are nothing if not unstable, however, and little emotional outbursts are unavoidable. As with everything in life, the best outbursts are in the movies.

A textbook outburst is when someone unexpectedly explodes, whether emotionally or physically. In our first example, we get both. In The Departed, Martin Scorsese’s epic crime film about cops and criminals in Boston, Massachusetts, Alec Baldwin plays Captain George Ellerby. The below outburst occurs when Ellerby is…dissatisfied with a colleague’s work.


Now that we’ve got a good, run-of-the-mill, angry/violent outburst out of the way, let’s look at Minority Report. Steven Spielberg’s 2001 film concerns a “pre-crime” police division powered by psychics in a future version of Washington, DC. Agatha, one of the city’s pre-crime psychics, is explaining a vision she had to Tom Cruise’s Detective John Anderton. When she senses danger however, she issues the most bat-shit insane “heads up” in the history of cinema.


Fear and anxiety can do that – we don’t have much control when we’re afraid.

Physical pain can also cause someone to lose it, if the agony is great enough. What could hurt worse than transforming into a werewolf? An American Werewolf in London features one of the greatest werewolf transformations on film, and it’s also the only one I can think of that starts with such a painful outburst.


I think we can all agree anger causes the most outbursts. Rage can sneak up on you. One minute, you’re hanging out with all your friends and everything is cool, but then Jimmy casually mentions that he heard you singing along to a Miley Cyrus song and you go apeshit. Those scenarios are the worst – the ones where the folks on the receiving end don’t have a clue what’s about to hit them.

In Hot Rod, for instance, wannabe stuntman Rod is having some quiet time in his room, reminiscing about his “super-dead” dad, and it’s making him a little emotional. Unfortunately for his brother Kevin, Rod doesn’t want any visitors.


Let’s look at The Big Lebowski, which is chock full of outbursts, mostly from John Goodman’s Walter Sobchak. Walter and The Dude are discussing Walter’s ex-wife’s dog when fellow bowler Smokey slips over the foul line.


Walter’s outburst may seem over-the-top, but sometimes it can feel like you’re the only one that gives a shit about the rules.

Comedies like Hot Rod and The Big Lebowski are filled with angry outbursts. Yelling and spazzing out is funny and whether it’s a scene from Old School


Black Sheep…


Or every Adam Sandler movie ever…






…we’re quick to laugh at it.

And of course you’d expect a super villain to have an outburst every now and then. They’re high strung and evil, it’s why they’re super villains. And who’s a bigger villain than Lex Luthor? The bald brainiac just can’t help himself when he’s around Lois Lane in Superman Returns.


Outbursts like that just come with the territory. If you’re around unstable people, unstable circumstances unfold and you might not like the results. Just ask Spider from Goodfell- oh wait you can’t.


Spider didn’t deserve that. He was just pissed from the last time Joe Pesci shot him. Sometimes you just find yourself around the wrong people at the wrong time, though. Take Paul Sheldon from Misery. All he wanted was to finish his new novel, but he ends up stuck in a cabin with Annie Wilkes for shit like this.


Totally uncalled for, right? Here’s the thing though – sometimes people are asking for it when someone else unloads on them. In Good Will Hunting, Robin Williams plays head shrink to Matt Damon’s tortured young genius, Will. Williams’ Dr. Sean Maguire seems to be a pretty patient, enlightened dude – until Will talks about his late wife! Nobody likes those apples.


Finally, let’s talk about arguments. They’re the worst, and when two people are going at it, one of them is bound to explode. Watch this scene from Star Trek: First Contact, where Patrick Stewart’s Jean-Luc Picard and Alfre Woodard’s Lily are throwin’ down.


The argument isn’t too bad at first, but then Lily mentions blowing up the Enterprise and Picard loses what little composure he had left."NOOOOO!!!!"

They may not be pretty, but outbursts are more or less unavoidable. The world is a stressful place – just take a deep breath. And knock before you go into someone’s bedroom…

Friday, October 7, 2011

Favorite Scene Friday! Jaws: Quint Scares The Shit Out Of Us


In the 1975 masterpiece that made Discovery's Shark Week what it is today, we have a scene more terrifying than Jaws itself. Quint telling an old war story that laughs in the face of Open Water. Listening to him tiptoe through the tale brings chills to my spine and I have absolutely no doubt in my mind that if I were in Chief Brody's pants, I'd be a soiled insomniac. As this is the Hatch's 100th post, I felt this was the perfect scene to encapsulate what the Hatch is all about. Stories to help us escape the present moment. Even if that escape is a terrifing one. Happy Friday, hope it was a good one. Here's to you Quint, 'Ol Buddy, thanks for the Scary Story. Cheers!