Friday, June 28, 2013

Favorite Scene Friday! Superman: Turning Back Time

For our final Superman scene, I wanted to bring you something big from the original Richard Donner flick. And you can’t get much bigger than the ending.

File:Superman ver1.jpg
Wikipedia

Lex Luthor (Gene Hackman) has launched two missiles as part of a scheme. Superman (Christopher Reeve) is able to stop one but the other hits its target, creating an earthquake. Supes is able to prevent a lot of death and destruction, but he's too late to save Lois Lane (Margot Kidder). There are quite a few scenes in Man of Steel of Superman screaming in anguish. And I can't help but think they were trying to recreate Christopher Reeve’s powerful howl of anger in this scene.

What comes next is the classic “Superman Turns Back Time” scene. A lot of people think this part is cheesy. Of course, if you reversed the Earth’s rotation you wouldn't travel back in time, you’d just fuck up the planet. But I don’t really see it as Superman reversing the Earth. I just look at it as him flying so fast that he personally ends up traveling back in time.

This is 1978 here so of course the special effects in the scene don't look as good today. But when you consider that the filmmakers were able to accomplish these effects with only the methods available 35 years ago,  it's pretty impressive. From IMDb:

"The development of the best method to show Superman flying was a long period of experimentation. The methods attempted included simply catapulting a dummy into the air, a remote control model airplane painted as the character and simply animating the flying sequences. The producers settled for a combination of forward projection and specially designed zoom lenses that could create the illusion of movement by zooming in on Christopher Reeve while making the forward projection appear to recede. For scenes where Superman has to interact with other people or objects while in flight, Reeve and fellow actors were put in a variety of rigging equipment with careful lighting and photography to hide the equipment."

I'm glad they didn't go with the dummy or the remote control airplane. Enjoy today's scene and have a great weekend!



P.S. Check out the rest of our favorite Superman scenes below.

Favorite Scene Friday! Superman Returns: The Safest Way to Travel

Favorite Scene Friday! Superman III: Clark Kent Vs. Superman - Special thanks to CT from Nerd Lunch!

Favorite Scene Friday! The Best of Lex Luthor - Special thanks to Pax from Cavalcade of Awesome!

Thursday, June 27, 2013

Obsessive Cinematic Disorder: Who Will Play Ant-Man?

It’s no secret that I’m excited about the Ant-Man film, the flick set to kick of Marvel's "Phase 3". And I’ve never even read any Ant-Man comics (I did, however, watch the entire run of The Avengers: Earth's Mightiest Heroes...gimme some credit). The character and the film sound intriguing, especially since they’ll both be factoring into the Avengers films. Oh, and Edgar Wright is directing the movie. I’m a big Wright fan.

Collider

I read a rumor on JoBlo.com this week that Lone Ranger star Armie Hammer and Edgar Wright visited the set of Captain America 2, which led many to think that Hammer would be paying Ant-Man in Wright’s film. Wright denied this via Twitter.





But Wright will soon be done with The World’s End, and after that film’s release and all the promotional hullabaloo is over with, his attention will inevitably turn to Ant-Man. Casting can’t be too far away, especially since it sounds like Phase 3 is gearing up pretty fast in general. So I wanted to look at a few choices for the role.

Armie Hammer


File:Armie Hammer 2011 AA (revised).jpg
Wikipedia

I don’t know about this. Armie Hammer was okay in The Social Network but I haven't seen him in anything else. I’m sort of withholding judgment until I see The Lone Ranger. But something about the way he responded when questioned about Ant-Man just rubbed me the wrong way. Maybe it’s the fact that he claimed to not know who Edgar Wright is. Do you live on this planet?

Nathan Fillion


File:Nathan Fillion by Gage Skidmore.jpg
Wikipedia

For some reason Firefly and Castle star Nathan Fillion has been rumored for the role, but then he more or less shit on the character. So forget him.

Simon Pegg


File:Simon Pegg by Gage Skidmore.jpg
Wikipedia

Pegg, one of the stars of Edgar Wright's "Blood and Ice Cream trilogy", obviously works with the director on a steady basis, so this makes a lot of sense on paper. I love him but I don’t know that he’d be right for the role. Plus it looks like his dance card is full for a while.

Adam Scott


File:AdamScottTIFFSept2011.jpg
Wikipedia

As far as I know, Party Down and Parks and Recreation star Adam Scott hasn’t been rumored for the role at all, other than in my head. He’s a talented actor and I think he really needs more roles (and not Hot Tub Time Machine 2). Sure, he’s mostly in comedies, but I don’t think the action genre is beyond his reach by any means (if you want to see him outside of a comedy role, check out The Vicious Kind). Plus, there’s plenty of opportunities for comedy in Ant-Man and future Avengers films.

In short, Edgar Wright, if you’re reading this, please cast Adam Scott as Ant-Man (even if he doesn't want the role).

Tuesday, June 25, 2013

Escape by Taking a Soda Break: World War Z Review

minor spoilers ahead!
Meet Gerry Lane (Brad Pitt). He’s a stay-at-home dad who used to work for the United Nations. Gerry and his family are going about their daily routine when, suddenly, all hell breaks loose in the form of a deadly zombie virus spreading across the globe. Gerry and his family are rescued thanks to his UN connections and make it to the safety of a fleet of ships off the coast. The only problem is the UN wants Gerry to investigate the disease and they’ll kick him and his family off the boat if he doesn’t play nice. What follows is a globe-hopping journey to find the source of the zombie outbreak.

File:World War Z poster.jpg
Wikipedia

A quick gripe before moving on. Why do zombies equal explosions? I’ve been noticing this more and more in movies and TV and I just don’t get it. Are they combustible? Why do cities blow apart at the seams the moment zombies start biting people? I know I’m oversimplifying it but, oh well. So. Moving on.

World War Z - A ZOMBIE SUMMER TENT POLE FILM STARRING BRAD PITT! -  is a pretty good movie. Which is weird, because it had some big production problems, namely reshoots. For instance, Lost star Matthew Fox is in the film, but you’d be forgiven if you didn’t notice him. I’m not sure if his part was meant to be bigger, but he doesn’t really do anything in the film. To the point where I wasn’t even sure if it was him at first.  I guess he played some sort of soldier but, again, he doesn’t do much. He’s listed on IMDb as “Parajumper”. Also, David Morse is in the film, for all of like, four minutes. I mean, it’s David Morse, why would you hire him to play the role of a toothless creep locked up in South Korea for a fraction of a fraction of the film? Was there more of his story that was cut?

But I mentioned that WWZ was good, right? Well, the film definitely has some great things going for it. A stellar cast led by Brad Pitt for one thing. He, Mireille Enos as his wife, and their two movie kids have genuine family chemistry. James Badge Dale turned in a good performance as a soldier stationed in South Korea and the great Peter Capaldi briefly shows up at the end of the film as a doctor with the World Health Organization. Everyone I’ve mentioned is great, but I have to make a special fuss about Daniella Kertesz as Gerry’s impromptu Israeli soldier sidekick, Segen. I don’t know what it was but I really rooted for that chick.

Another aspect the film (mostly) gets right is the zombies themselves. We’ve all seen the trailers that feature swarms of hyperactive zombies washing over everything in their path, but the film still features the monsters as we know and love them. The chaotic opening scene is a particularly enjoyable dose of zombie action.

My biggest complaint with the flick is the ending. It just sort of...happens. As I mentioned, the film underwent some reshoots and I’m pretty sure it was to fix the ending. It would be easy to say that the film tripped at the finish line but I’m pretty happy with everything that led up to it, so I can’t complain about it too much.

World War Z, a zombie flick with a big budget, a global setting, and one of the biggest actors working today, is proof positive that the genre isn’t just here to stay, it’s advancing into something else entirely. 

3 Out Of 5 Stars

Friday, June 21, 2013

Favorite Scene Friday! The Best of Lex Luthor

Our month of Superman scenes continues! Today we've got Pax from the Cavalcade of Awesome at the helm and he doesn't disappoint. If you think Michael Shannon's General Zod is a great Superman villain, you need to revisit the Christopher Reeve Superman films. Pax will explain...


IMDb

I am a big fan of the entire Christopher Reeve Superman series.  Even III and IV, especially IV.  Except for CT’s Clark-Superman fight, and some of evil Superman’s antics (drunken bar peanut missiles anyone?), the rest of Part III can spontaneously combust in a blaze of tar-Kryptonite flames never to be seen again.

And other than Christoper Reeve’s Superman/Clark Kent, I think my favorite character is Gene Hackman’s Lex Luthor.  Before Byrne changed Lex into a genius businessman, Lex was a genius mad scientist.  But right in between, Hackman made Lex a genius, megalomaniacal schemer.  Hackman’s Lex wasn’t pigeon-holed into one profession, even though he did have a healthy obsession with real estate.  And the brilliance of Hackman’s performance is that he plays Lex as if he always felt like he was in control.  Lex always felt there was a way out of every situation.  Lex believed he could go toe-to-toe in a room with ANYONE, including Superman.  His brains would win over Superman’s brawn.  EVERY TIME.  Lex is the smartest man in the room.  He knows it and he wants everyone else in the room to know it.  You can see that supreme confidence in every scene and that's why Hackman’s Luthor is my favorite Superman villain.

When I set out to do this Superman themed Favorite Scene Friday the scene I REALLY wanted to do was the first meeting between Lex Luthor and Superman in the original Superman the Movie.  Some of the dialogue between Lex and Supes is pretty amazing.  However, there is next to zero footage of that up online for me to show you.  So, what I’m going to do is put up some of my favorite stuff of Hackman’s Lex from all three movies.  Not only is the Lex-Superman stuff GREAT, I think there’s a lot of really good back-and-forth with Lex and General Zod in Superman II.

So here are a bunch of my favorite Gene Hackman Lex Luthor scenes from the entire Reeve Superman movie franchise.

As far as the first meeting, here’s a chunk from the very end of it.  Superman is searching for a bomb, I think.  He instead finds Kryptonite.



Great line: “It stands to reason that when it came time to cash in your chips, this ‘old, diseased maniac’ would be your banker.”

Here’s another great scene with Lex talking about his real estate dealings with Otis and Miss Teschmacher.



Here’s the scene in Superman II in which Lex and Zod arrive at the Daily Planet right before the big fight with Superman.  Superman arrives and says, “Would you like to step outside?”  Lex hilariously says, “Thank God, Superman....I mean, GET HIM!”  It’s hilarious to me that Lex is actually relieved to see Superman and that Lex actually thinks he’s in a position to tell Zod to “get him”.  I also love all of Lex’s *wink, wink, nudge, nudge* innuendo about Lois and Superman.



Remember when I was telling you that Hackman’s Lex was fearless?  That he was the smartest in the room?  Check out Lex telling off General Zod right after the battle with Superman.



I only wish I could find video of Lex’s first meeting with Zod and crew at the White House.  That contained some classic Lex moments.

Lex wasn’t in Superman III, but he was in Superman IV, but there really aren’t any clips of that movie online.  You can find the trailer and that’s about it.  Most of Lex’s best stuff in Superman IV are his insults towards his nephew played by Jon Cryer.

So these are some of my absolute favorite moments and scenes in the entire Reeve Superman franchise.

Hopefully, the next Lex Luthor will carry Gene Hackman’s torch.

Thursday, June 20, 2013

Escape the Phantom Zone: Man of Steel Review

spoilers ahead!

I won’t go so far as to say that director Zack Snyder's Man of Steel was a complete failure. There’s a good movie in here somewhere. There really is. But it’s a deeply flawed film, mostly due to David Goyer’s script. The flow, structure - whatever you wanna call it - of the story. It just. Didn’t. Work. The many, many (many) flashbacks constantly pulled me out of the narrative. It got to the point where it was like, still? We’re still doing flashbacks? So the film just couldn’t seem to get going. I found myself waiting for a decent action sequence. And not mindless action, either. Just something super, something worthy of the Man of Steel.

IMDb

The movie begins on Krypton, Superman’s birthplace. They literally show him being born. Which is kind of an awkward way to start the movie if you ask me. We get a good look at Krypton, more so than I was expecting. Actually, was anyone expecting Krypton like this? It was pretty crazy (I literally wrote “Krypton = zany” in my notes).

After the birth of Kal-El (as he’s known to his parents), the first natural birth on Krypton in some time, his father Jor-El (Russell Crowe) tries to talk sense into the planet’s leaders. Yes, Krypton is dying, and at the hands of its own people. General Zod (Michael Shannon) and his forces bust up into Jor-El’s meeting and take control. Jor-El manages to escape, however, and is able to rescue his son by jettisoning him into space on a course towards Earth. Zod manages to kill Jor-El, but he and his forces are captured and banished to the “Phantom Zone” via a black hole device. We then flash forward to meet Clark Kent (Henry Cavill) on modern day Earth.

I actually had no idea what was happening on Krypton. I know that the planet was essentially self destructing and that General Zod was trying to take over. But it looked like all-out war on the planet. I’m assuming it was General Zod’s followers fighting with the Kryptonian authorities but I just wasn’t sure (and it wouldn’t be the last time I was confused about what was happening in the story and how). Don’t get me wrong, I enjoyed the Krypton sequence and I appreciate that the filmmakers went that in depth. I just wasn’t expecting it.

Other than the general flow of the film, I have to criticize the dialogue. The first school sequence - where Clark winds up hiding in a broom closet - was just kind of awkward. The “The world’s too big, mom,” dialogue worked in the trailer but here it’s just awkward. Who talks like that? There’s a lot of crummy dialogue in the film. In fact, let me just get all my dialogue qualms out of the way here. Lois Lane (Amy Adams), when shown a small room she has to stay in at one point in the film says: “What if I have to tinkle?” Later on she refers to the fact that she's a Pulitzer Prize winning journalist. We get it. She’s a good reporter. At one point late in the film, Superman confronts Zod with the line (I’m paraphrasing) “You’re a monster and I'm going to stop you.” It seems like somebody put that line in the script as filler and forgot to rewrite it. Another line, perhaps the worst in the film, spoken by General Zod (again, paraphrasing): “There's only one way this is going to end...either you die or I do.” Isn’t that two ways?

Another problem that I had with the film was the squandered opportunities. That oil rig sequence was very short and the scene where Clark saves the school bus could have been more epic (I mean, couldn't they show him pushing the bus out of the water a little bit?). The tornado scene later in the film - which could have been a cool action sequence if done right - simply kills Jonathan Kent (in the most thoughtless way possible).

There were a few outright strange elements in the film. One was that it didn’t seem to want to call Superman Superman. It seemed like the third act or so before someone actually said his name. And what was with the product placement throughout the film? Nikon, U-Haul, Sears, 7-Eleven. Superman fought a villain in an IHOP for Zod’s sake.

The fists finally start flying in the third act when General Zod and his crew (having escaped the Phantom Zone due to Krypton’s destruction) find Superman on Earth after years of searching. The fight scenes were cool but at the end of the day, it’s nothing we haven’t seen before. And it isn’t long before we’re on to the next sequence, which finds Superman and the military trying to banish General Zod and his forces back to the Phantom Zone before they can terraform Earth with a Kryptonian World Engine. The military’s plan? Create a black hole in the middle of Metropolis using the ship that brought Superman to Earth and hope for the best. I actually wondered if Metropolis was destroyed at the end of that segment. The film culminates with a big brawl between Superman and Zod after our hero and the military stop the villain's World Engine.

I didn’t like how the Superman/General Zod fight played out. I thought that it was two unstoppable supermen fighting each other, but Superman just ended up snapping Zod’s neck. Seriously? That’s it? And it raises a big question. Batman’s one rule is that he won’t kill. What does that say about Superman? Where does that leave us in the modern age where Batman - who has always been viewed as the darker of the two - is the more principled hero and the one who won’t kill? And we’re talking about the Batman featured in the films of David Goyer and Man of Steel producer Christopher Nolan here, so it’s not like there isn’t a basis for comparison.

One of the best things about the film was the talent from some of the leading actors. Russell Crowe was great throughout the film as Jor-El and Michael Shannon was just right as the menacing Zod. Henry Cavill really owned the role of Superman and I’m excited to see what he does with it in future installments (I know he’s a great actor because they showed not one, not two but THREE scenes of him screaming intensely into the camera). Kevin Costner really nailed the role of Jonathan Kent and I'm genuinely disappointed about how the film treated the character.

Zack Snyder really knows how to make a film look great. The imagery of Clark and Lois in the desert and Clark’s weird skulls/doomsday dream looked particularly great. The production design and the costumes were fantastic, as was Hans Zimmer’s score. Expect some Oscar nominations there.

A friend of mine made the observation that Batman Begins (the Man of Steel of The Dark Knight trilogy) was quite inferior to its sequels and I really hope that’s the case here. I really want to like this series.

2.5 out of 5 stars

Wednesday, June 19, 2013

Arctic Monkeys New Video: Do I Wanna Know?

If you heard an ear piercing teenage girly like scream this morning, it was just me checking my Twitter feed. Out of nowhere and with very little publicity, the boys are back with the first single from their forthcoming album set to be released this fall. "Do I Wanna Know?" is a slow sludgy track that is reminiscent of the Humbug days and most recently the singles "R U Mine?" and "Electricity". I dig the song and the video is trippy as well. I can't wait until the album is released. However in the meantime, "simmer down and pucker up." I'll be listening and watching on a loop. I hope you enjoy both as well.




Tuesday, June 18, 2013

Tune in Tuesday's: Uncanny Icelandic Excitement!



This Tuesday I’m only going to mention one release.  A release that I’m superbly happy to report on.  June 18th brings us the release of the 2nd album in 13 months from Icelandic ambient rock outfit, Sigur Ros.  On May 23, 2012, Ros released their sixth studio album, Valtari, their first in approximately four years.  As a huge fan of these guys and their stellar music, the wait was horribly dreadful.  The album though is wonderful, as is all of their music.  Not as “loud” as the two previous outings, Takk … in 2005 and Med sud I eyrum vio spilum endalaust in 2008 (you may recall a song from this album being featured in the James Franco pic 127 Hours called Festival), Valtari took more of a calming approach, meaning basically the drums aren’t as prevalent.  It’s an album to listen to out at sea, among calm waters, as can be referenced by the album’s cover.  It’s not my favorite album of theirs, but it was nice to be reintroduced to them after four long years.  And now, today, I’m even more excited. 

I first heard these guys way back in 2001 when I first saw one of my all-time favorite movies.  I know I will, and I’m prepared to, catch a lot of flak for this, but Vanilla Sky is a wonderful movie.  Cameron Crowe is a hell of a director and mingle him with a science fiction plot, a super sexy Cameron Diaz (it was ’01, remember?), a shirtless Penelope Cruz, a funny-ass Jason Lee, and a Tom Cruise who acts (I can only assume) exactly like the real life Tom Cruise and what you’ve got is uniquely original story . . . that 65% of the world’s population utterly despises.  I love it though, not only because I tend to have a strong connection with a film if the soundtrack is as impressive as this one was/is, but because Cruise gives his most authentic performance as a vanity-laden, rich-prick asshole, who discovers the errors of his ways through the love of a woman who stands as his polar opposite, only to rediscover that he can no longer have what he truly needs to be happy, and it’s his own greedy fault.  Sure, it plays out like a love song to The Twilight Zone, but it’s a good song (not to mention a great show), and one that deserves more love than it receives.  Though only one Ros track is included on the official CD soundtrack, Svefn-G-Englar, the film is backed by their music throughout and it was that music that initially caught my attention with the film.  At a time when downloading music was new and excited and illegal (Lars, you’re a douche), I exhausted many an hour trying to find music from a band that the United States was blissfully unaware of, but I did eventually find Svefn-G-Englar and have remained a life-long fan of Sigur Ros ever since.

I had no idea until last week that this seventh album, Kveikur, was even being worked on, much less released today.  My heart is pounding like the angelic strumming that comes out during the second half of Festival – if you’re clueless to this song, check out the video below, I believe it is fan-made and there's not a lot to it other than pure nature, but the song is incredible.  In fact, if you're not into the whole nature thing, I recommend starting it, turning the volume way up, and then going about whatever chores, or whatever else, you have to do.  I had a chance to preview the first release from this album, Isjaki, but I chose not to due to the fact that these albums, these guys, are best heard in uniform.  Like the great Pink Floyd, singles aren’t really this band’s bag, baby; they release them and they are phenomenal, but listening to the album(s) as a whole is even better.  As I looked for good reference points about this album, I came across Wikipedia’s page listing the album as “a new direction taken by Sigur Ros, both musically and thematically.  The band has described the album’s sound as ‘more aggressive’ than any of their previous works.”  Holy Shit, I just got a holy lot more excited!!!  I already feel like I’m on top of the highest mountain in the world screaming at the heavens in ultimate triumph when I listen to songs like (the already oft mentioned) Festival, Glosoli, Staralfur, and Hafsol, just to name a few.  I cannot wait to dive into this new “aggressive” album!  I only hope I don’t get too much gusto under my skin that would prompt me to quit my job and my life to run out and live on a secluded beach somewhere in the vast Pacific.  I promise to at least hold out until after October when I see them LIVE!  That's right, my excitement has increased ten-fold since I bought tickets to their live show in Orlando.  As good as their albums are, I've read that their live shows are even better and even more moving.  So if you stop hearing from me around mid-October, you know what happened.  Enjoy the week, folks, and pick up this new album.  And if you happen to meet me on a mountain somewhere, be sure to share that triumphant smile.




"Festival"

Monday, June 17, 2013

Music Video Monday!: Frightened Rabbit - The Woodpile

Hello my music & movie compadres. I hope all is well on this beautiful Monday in June. Today I'm giving you a video from a band I've talked about before, the Scottish indie rock band Frightened Rabbit. Over the past three years, these guys have gradually filled my iTunes library and after countless downloads I finally purchased an entire album, vinyl at that.

The album, their fourth full length, is called Pedestrian Verse. Like the three previous, it doesn't disappoint with it's typical lyrics of lost love, pain, disappointments and what if's. To be honest, I prefer these guys, to dare I say, Mumford & Sons. It is true. Although I respect and can appreciate the sounds of Mumford, I'm a bit put off by their huge commercial success. Not their fault, just my opinion. I guess that's the music snob in me. To some, Scott Hutchison's heavy Scottish accent can wear, but not me. Ever since, I heard the song 'Keep Yourself Warm', from the album The Midnight Organ Fight I've been hooked. Hopefully you'll like what you hear today from the song 'The Woodpile' and like me you'll take a chance and dive into their older stuff. Have a great week and remember to live your soundtrack out loud.


Friday, June 14, 2013

Favorite Scene Friday! Superman III: Clark Kent Vs. Superman

If you stopped by for last week's Favorite Scene Friday, you'll know that we're doing nuthin' but Superman scenes this month in honor of the release of Man of Steel. That's right, yours truly and a few guests will be sharing their favorite moments from previous Superman films. Well, we've got the Man of CT-eel himself doing the honors today (I am NOT happy with that joke). That's right, CT from the Nerd Lunch blog and podcast stopped by to share one of his favorite Superman scenes. He's no stranger to these parts so I'll leave it at that. Enjoy today's scene and go see Man of Steel!


Clark Kent has always been one of my favorite comic book characters.

Yes. Clark Kent.

I mean, yeah, I love Superman and part of what makes Clark Kent awesome is that he is Superman, but between the two personas, I prefer Clark Kent. Always have. There's something incredibly interesting to me about a guy who is the most powerful being on the planet and he walks around as a plain ol' guy. Add to that the times he has to jump into action as Clark Kent and yet still keep the identity a secret and you've got a pretty awesome storytelling device.

I get that the disguise is hokey and no one buys into it anymore. Slap on a pair of glasses and change your hairstyle...that's not going to fool anyone in real life. But this isn't real life. And that's part of the charm.

I don't know if I can pinpoint when my love for CK started, but I did always like the George Reeves version and upon seeing it later, the CK of the '40s cartoon. He was so calm and cool and just seemed to be having fun with it. You could say he was mild-mannered about it all. Even in the comics, Clark was given a similar treatment. He had his own complicated backstory with Smallville and Lori Lemaris just as Superman did with Krypton and all that jazz.

But then came along Richard Donner and Christopher Reeve and they made a brilliant rendition of Superman in 1978. In this version, Clark Kent was changed to further disguise the persona. And Reeve portrayed it beautifully. But there was, and still is, a part of me that misses the Clark Kent that carried a bit more confidence. He doesn't get much screen time in the first movie and what he gets in II alters the story drastically.

So along comes III and it seems like we have a chance to give Clark Kent some character development. Except, Superman III is...well, it's Superman III. Robert Vaughn is the villain and Richard Pryor is this weird comedic foil/sidekick. And some pretty cool opportunities to do things with Clark visiting Smallville again are absolutely wasted.

Wikipedia

About halfway through the movie, Pryor's character creates a fake version of Kryptonite that alters Superman's mind and makes him into an apathetic jerk. And there is no one who can stop Superman. No one.

No one except Clark Kent.

For no real explicable reason, Superman lands in a junkyard, a glowy thing shines on his forehead and he splits into Clark Kent and Superman. It's vague what caused this to happen and whether it was a physical fight that proceeded between the two personas or a mental one. But I loved it because it was the kind of thing you'd see in the comic. Superman and Clark Kent fighting each other? Amazing.

The best moment in this might be right after the first punch Clark gives to Superman right into a vat of open acid (is that a thing junkyards have?!) and in that brief moment, he straightens his tie and seems to carry a bit of the confidence that I missed seeing in the Reeve incarnation of Clark. Best of all, the persona that wins this fight in the end is Clark Kent.

This lone scene is the third movie right here. The other hour and 45 minutes is a waste of Christopher Reeve's talent and completely misses a chance to tell a great story. After seeing that Superman is the dominant persona in Superman II and Clark doesn't get what he wants, it would have been nice to build a movie around the counter-argument that Clark is vital to the character as well. It helps keep him grounded and allows him to see his place in helping humanity rather than being above them.

The scene is really well done and one of the better fight scenes in the series. (Maybe Paxton Holley will talk about Nuclear Man when he gives his favorite Superman scene.) Add to it that this movie is really bad. Really, really bad. And yet somehow it exists anyway in spite of that. This really is one of my favorite scenes.


Monday, June 10, 2013

Music Video Monday! Plants and Animals and Canadians, Oh My!



Man, it’s been a while since I’ve contributed a nice, fresh music video for you guys to enjoy and even though I urge you not to expect many more from me, I did discover a new (well, new to me anyway) band recently and I felt the glorious need to share them with you.  The song is called “The Mama Papa” from the Canadian indie-rock band Plants and Animals and it is a joyous delight.  My memory is shit, so where exactly I discovered these guys remains a mystery to even me, but I found them listed on a note from my phone, along with other band names that I happen across, when out and about, with the intention of looking them up for some new found fun.  When I previewed their latest album on iTunes, The End of That, I happened upon a shining relic.  The title track sounds like Lou Reed, during his early 70s heyday, time warped to Canada in 2012 and laid down a track for them.  The song is awesome, chock full of interesting lyrics, “. . . like some fucked up bumble bee/ heading for the potpourri / of the ladies’ room . . .,” a gliding melody and a classic rock sound that sadly isn’t prevalent by today’s standards anymore.  I encourage all of you to look the song up here (I couldn’t add the official video) and have the best four minutes you’ve had all day.  The video must’ve come from Lou’s 70s head as well since it looks like a re-recording of some TV show that aired during the decade.  It’s both funny and awesome as you will soon see. 

But before you do that, check out the song below.  Taken from their 2010 album, La La Land, “The Mama Papa” is a fun send-up of good old rock and roll.  It’s hard for me to listen to it without wanting to get off my ass and dance.  But for the sake of serious dancers and the craft they’ve perfected, I’ll do no such thing.  You’re welcome.  Once I discover a new, promising band, I’ll give my ears a taste of their entire catalogue and wait until I find a good deal on the entire album before buying all willy-nilly, but in this case, I found it absolutely impossible not to pay the $0.99 for the tune by itself . . . oh, who am I kidding?  I bought four tracks taken from the two albums I’ve mentioned here, including the title track mentioned above, after all, I am a Lou Reed fan.  I don’t have much to offer in the way of “detail” on this one, but it easily seems like these guys have a lot of fun when making their videos.  Both are nothing but creative by all means necessary and I dig throwback tunes, videos, music, books, etc. so these guys will be on my radar for a long time now that I’m aware of them.  I hope they remain on yours too.  Enjoy the tune, have a great week and an even better summer!  "Ooh La La."