Sorry about yesterday's post - just a little Halloween prank. Now here's the real deal.
The Shining: Nick's Take
So what’s the big deal about
The Shining? What sets it apart from other Stephen King movies or other horror movies for that matter? Why are we honoring it this Halloween? I can answer all three questions with one answer: Because it is one of the greatest horror movies ever made.
Everything about
The Shining makes you feel uneasy in some way. Whether it be the godawful carpet of the haunted hotel or Jack Nicholson making out with a corpse – we’re talking full tongue, here – or the face of Shelley Duvall or the
whatthefuck scene I posted a few Fridays ago, this movie has got it all and that’s why we, among countless other blogs, lists, people, ghosts, etc., are giving it the illustrious Open Hatch approval. Which by now obviously means gold – opinionatingly speaking. Anyone who’s both read the novel and seen the movie knows that the two stand apart in great respect. I’m willing to bet that Kubrick was pissed once he finished reading the novel simply because he didn’t think of the idea first. The similarities are without a doubt plain to see, but the differences are monumental comparatively speaking; an axe vs. a mallet, a maze vs. a zoo of animated animal hedges, the survival of the hotel vs. the burning down of the hotel (there are only two references to a basement boiler in the movie whereas the novel has it as a major plot point; so major in fact that the hotel burns down at novel’s end due to the overheating boiler . . . I could go on and on. I won’t say which I prefer because both are great in their own right. I did however see
The Shining for the first time when I was about 11 or 12 and have watched it many, many times since. I didn’t read the book until I was in college, roughly 19, and I haven’t read it since, so I guess I’d have to admit that the movie does sort of hold a special little place in my warped mind.
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| Courtesy of Wikipedia |
As I mentioned before, everything about this movie is creepy. The collective beauty of the cast alone is enough to make you not want to waste your time. Tiffany mentioned at one point that she thought Danny was a cute little boy and I bit my tongue. The mop of hair on that poor boy is ridiculous. I should mention though that the boy in the TV miniseries remake is even worse. A bowl cut of bad acting is about as nice as I can be. I also find it terribly amusing when we’re taken down to Scatman’s Miami hotel room . . . the naked afro’ed ladies on the walls are pure delight in a “Whoa!” kind of way. A slew of scenes are merely images seen from Danny’s point of view of the various hotel ghosts fiddling about. I hadn’t seen a haunted movie done so well until I watched Insidious. Being released in 1980 meant Jack, Shelley, Scatman, and the rest of the cast were making their last ditch efforts to save '70s fashions so even the comforting thought of I’d look good in that escapes you entirely. I think the fairy tale vomit of Shelley Duvall’s first outfit is top ringer for scariest Halloween costume ever. You guys know what I’m talking about. Being the younger brother of twins, I can fully attest that twins are odd and the scene(s) of Grady’s twin daughters only proves my point.[1] The “Gimmie the bat!” scene is incredibly awesome on both a freaky level (Jack Nicholson) and a comedic level (Shelley Duvall) and I absolutely adore The Simpsons’ Tree House of Horror take on it. Don’t be surprised if it winds up on a Favorite Scene Friday in the future.
I can’t list all of what is terrifying about The Shining, but I would be remiss if I didn’t at least mention what Jack Nicholson brings to the table. Watching him speak to Lloyd (the bartender) about breaking Danny’s arm is alarming on a number of levels. To get my meaning, I’d advise you to watch that scene over and over, each time paying full attention to a different aspect. For example, at first focus directly on his eyebrows while he speaks and next time focus on his arms and next time the tone of his voice, etc. etc. Absolutely incredible. Another good one is the scene where he talks to Wendy from inside the walk-in pantry. It’s like you can feel the madness breaching the locked door and striking Wendy in her big ‘ol bug-eyes. When I read Stephen King’s idea of The Shining, I tried to place Jack Nicholson’s image into the “Jack Torrance” character as King wrote him. Let’s just say I can see why Kubrick went the route that he did. Nicholson makes a much creepier madman with an axe. He’s off-kilter throughout the entire movie, to see him try to redeem himself by letting Danny escape (novel reference) just wouldn’t convey as well on screen. That’s not to say I think Kubrick’s “Jack Torrance” is better. King hits you on a much deeper level with his “Jack Torrance” because we read him as “under control (for the most part) to mad to ‘love over hate’ to full blown wickedness.” It’s hard to convey that on screen.
This movie is on nearly every Top 50 Scariest Movies lists, but I don’t think it’s often listed as number one. I’m not so sure I agree with that.
[1] I wrote this on purpose to prove a point that my brothers don’t give a shit about reading the blog. Thanks, guys.
The Shining: Robert's Take
If I can engage in understatement,
The Shining is
an excellent horror film. Nick points out that every aspect of the film is
scary, and I completely agree. It might be the most unsettling flick I've ever seen.
And is there anything scarier than someone you love losing their mind and
trying to kill you?
I read something about The
Shining once and it's always stuck with me. I can't remember where it comes
from – a review I think – and for the life of me I can't find it online. If
anyone can help me attribute this to the comments' originator I would
appreciate it. It goes something like this – The Shining is a great horror film because it's every horror story
rolled into one. The film has ghosts. It has a haunted house and a madman. It
has zombies and even a werewolf in a way. Indian burial grounds, possession, poltergeists,
skeletons – you name it.
I love this movie. I love the performances and the tone of
the film. I love the unsettling beauty of the opening. I love the behind the
scenes stories that I've heard over the years – the trademark obsession and
intensity of director Stanley Kubrick, the dissatisfaction Stephen King – who
wrote the novel the film is based on – felt with the finished product. I shudder
to think of the borderline torture Kubrick put his cast and crew through,
particularly Scatman Crothers and Shelley Duvall.
One of my new favorite things about the film is the debate
about what actually happens to Jack Torrance. You might believe that Jack is
continually reincarnated and drawn to the hotel, or you might think that he was
pulled back through time and absorbed into the hotel's past at the end of the
film. Whichever of the two theories you believe, the film provides evidence for
both, and I think that's a great thing. I do, however, personally believe the
reincarnation theory. At one point, Jack says, "When I came up here for my
interview, it was as though I'd been here before." I also recall a scene
where Jack tells Lloyd the ghost/imaginary bartender that it's good to be back.
The Shining is the
type of film that really makes me think and I'm glad that the talented group of
people behind it came together to produce such a great piece of art and
entertainment. The effort obviously involved more work than play, but the
finished product is anything but dull.
