Showing posts with label Prometheus. Show all posts
Showing posts with label Prometheus. Show all posts

Friday, May 26, 2017

Favorite Scene Friday! Alien: Covenant: What's your favorite scene?

Spoiler alert for Alien: Covenant!

Alien: Covenant recently hugged the collective faces of the world. What was your favorite scene? I guess for me it was the David and Walter stuff? And, less interesting, the David and Walter fight? Other than that, nothing really stands out to me as a "favorite". That's obviously not a good sign. I'll tell you what was not my favorite scene (or rather, not my favorite part of an otherwise awesome scene) the Engineers that David wipes out. They really didn't look like the Engineer(s) from Prometheus. And why the f*ck were they all just standing around like idiots? Aren't they geniuses? I did like the Xenomorph stuff, of course. Or is it Protomorph? 

I enjoyed the Neomorph infections when they were first starting to happen. I like when two or more separate groups of people are on walkie talkies together in a film. I think there's a term for that. Something about establishing the reality/geography of a film? Anyway, here's the trailer to refresh your memory.



What's your favorite scene from Alien: Covenant?

Monday, April 3, 2017

Obsessive Cinematic Disorder: We Need an "Alien: Isolation" Movie

Spoilers for the Alien franchise to follow.

Ridley Scott seems hell bent on making Alien films until he dies. But instead of producing the endless Prometheus/Covenant sequels that are apparently in the pipeline, why not adapt the phenomenal Alien: Isolation, a video game that follows Amanda Ripley*, daughter of original Alien protagonist Ellen Ripley (Sigourney Weaver). That's right, Alien: Isolation insists Ripley's daughter got into some xenomorph shenanigans of her own.



You see, when we meet Amanda at the beginning of Isolation, she's already been looking for her long-missing mother, working for the Weyland-Yutani company on the edges of fringe space. The company approaches Amanda with an offer: they've found the black box from the Nostromo, Ripley's ship from Alien, and they want Amanda on the mission. Amanda sets off to recover the flight recorder and winds up on Sevastopol, a sprawling space station. It's there that she finds trouble worthy of the Alien franchise.

And with that, here are some specific reasons a hypothetical Alien: Isolation movie is great.

It's Alien on Steroids

Star Wars: The Force Awakens was essentially a bigger, "better" remake of A New Hope, and that's okay. In fact, Alien: Isolation could do the same thing for Alien. The game is a jacked up version of Alien in that it has a plot similar to the original film (a Ripley vs. an alien), but it's on a giant space station with a larger cast of characters. There's even an android threat to deal with, but it's cranked up to 11. And speaking of androids...

Possible Michael Fassbender Connection

A member of Amanda's crew is an android named Samuels. Anthony Howell portrays the 'droid in the game - and he does a fine job - but how cool would it be to feature Michael Fassbender in the role? That would connect this film not just to Alien, but to Fassbender's Prometheus and Alien: Covenant as well. This would even continue the trend of Fassbender's android characters having different names in each film.

It's Scary

The game is terrifying. One thing that connects Isolation with its Alien roots is that no one really knows about the alien. There's a terrifying quality in Alien because the creature just comes out of nowhere. Same here. All of the subsequent Alien films featured Ripley dealing with a creature she - and the audience - already knew about. This would reset that.

Another scary part of the game is hiding from the alien. Amanda has some weapons and tools, but, just like in Alien, the creature is basically unstoppable, so cowering in a locker until it goes away is a requirement. The movie can't be all hiding, so maybe include one or two hiding scenes. Perhaps even make those scenes first person, which would be sort of found-footage-ish in a cool way.

There's even the aforementioned android element. In fact, there's a ton of them, and they're more like a basic model, with creepy, featureless faces and they're not the friendliest.

Franchise Potential

Alien: Isolation definitely leaves room for more Amanda Ripley adventures. Not to bring up that other sci-fi saga again, but the Alien franchise could be Fox's new Star Wars. In fact, forget franchise, this could kick off a shared universe.**  Fassbender could serve as the Sam Jackson of the series. This film would even have a Rogue One vibe going on...sort of an "inbetweenquel" about a character only briefly mentioned in another film.***



I'm really hoping Fox is already working on all this. Alien Day is coming up again on April 26, so maybe an announcement is incoming.

*Andrea Deck voices Amanda in the game. It would be awesome if she reprised the role in this film.

**Let Neill Blomkamp make his Alien 5 film with Sigourney Weaver. The film obviously wouldn't make sense considering the events of Alien 3, but this year's Logan proved you can do alternate timeline films.

***So, you're right, Amanda is only mentioned in the director's cut of Aliens. But while we're on that topic, it's interesting to note that that film would have you believe that Amanda lived a humdrum life on Earth while her mom drifted in space between Alien and Aliens. Or, at least, Carter Burke (Paul Reiser) chose not to mention Amanda's adventures. In reality, the folks behind Isolation were probably just taking some liberties with the character. When Amanda's information was mentioned in Aliens in 1986, that was probably true at the time. It makes Ripley's story that more tragic and sets up her mother/daughter relationship with Newt. On the other hand, we could now take it to mean that Weyland-Yutani was totally lying to Ripley's face about Amanda. It wouldn't have been the first time they did something sinister. Ret-conning Weyland-Yutani into covering up the Amanda/Sevastopol disaster makes perfect sense, and makes the franchise even more interesting.

Thursday, June 14, 2012

Escape by Playing Stephen Stills' Accordion: Prometheus

**spoiler alert!**

I want to judge Prometheus as a prequel to Alien, but that wouldn’t really be fair. As best as I can tell, Director Ridley Scott’s new film is a prequel to Alien only in that it takes place before the events of that classic 1979 horror flick,  not because it ties into or leads up to it. But even when only comparing the films as distant cousins and not two parts of the same story, it’s hard not to be a little disappointed.

Wikipedia
Alien was wonderfully simple and straightforward: a crew of working stiffs in outer space are picked off one-by-one by a vicious alien. Prometheus’ story is scattered and a little convoluted. First we’re on a mysterious planet (Earth, right?) where we see a giant alien (later revealed to be a Space Jockey, similar to the creature found in the craft in Alien) break down on a molecular level after consuming a strange substance. Then we cut to two researchers in Scotland, Dr. Elizabeth Shaw (Noomi Rapace) and Charlie Halloway (Logan Marshall-Green) as they discover another in a series of ancient cave paintings that reveal a far-flung moon capable of supporting life. Then we’re on the Prometheus four years later as the crew reaches the moon. And so forth.

I found myself nitpicking small differences between the two films, so I decided to focus on a scene from Alien and another, similar scene from Prometheus: the destruction of the ships.

In Alien, the scene where Ripley engages the self-destruct sequence on the Nostromo and then frantically tries to stop it is incredibly tense. It’s bleak, dark, and nail-bitingly good. Some of that is due to Sigourney Weaver - the viewer cares about her character, Ripley.

In Prometheus, the sequence where Captain Janek (Idris Elba) and his two remaining crew members fly the ship into the Space Jockey’s craft isn’t just different in tone, it feels hollow. We didn’t get any insight into Janek other than the fact that he’s a fan of the music of Stephen Stills. And we definitely didn’t get any insight into the other two crewmen, other than the fact that they like to bet on stuff and they wanna bang Charlize Theron’s character.

While it’s made clear that Prometheus takes place on LV-223 and not LV-426, the planet from Alien and Aliens, it still felt like the new flick was leading up to the events of the original ‘79 movie.  In Alien, we only see a Space Jockey once, but it was a very interesting scene. The Jockey is sitting in a control chair of some kind, destroyed by a chestburster. A sequence near the end of Prometheus, where a Space Jockey sits in a similar control seat, results in imagery much like that mysterious scene from 1979. The sequence is a dead-end however, as the Space Jockey doesn’t die in the seat from a burst chest.

The acting in Prometheus is top-notch (more on that later), but one of my main problems with the film has to do with the characters.

Why was everyone on Prometheus an idiot? Charlie seemed to be more of a douchey Abercrombie and Fitch model than a scientist. Biologist Millburn (hey, played by Edgar Wright collaborator Rafe Spall!) tries to treat a hostile, snake-like alien like a puppy and pays the price. The guy responsible for mapping the alien structure gets lost in it for God’s sake!

Why the hell did Weyland pretend to be dead the whole time? What purpose did it serve? David the android (Michael Fassbender) seemingly flip flopped from good to evil back to good. Charlize Theron’s character Meredith Vickers is so cold and clinical at times that Captain Janek suspected her of being an android. But then they flirt and have sex. When we first see Vickers she’s doing angry pushups. Doing a pushup at the end of the film literally would have saved her life.

And finally, Noomi Rapace’s character, Dr. Shaw. When Shaw and the remaining members of the Prometheus crew finally find a Space Jockey, he tries to kill all of them and destroy their planet. And after Shaw’s squid baby finally kills the Jockey, Shaw leaves the planet...to find the Space Jockey homeworld. Seriously? You want to travel to the planet that the murderous space giants call home?

As its own film - while still scattered - Prometheus is pretty great. It’s a beautiful movie filled with gifted actors, especially Fassbender and Rapace. Especially Rapace. The scene where she cuts the squid baby out of her stomach in the surgery pod is truly a call-back to some of the more tense and stomach-churning scenes in Alien.

I appreciated that the film touched on life and death, creation and destruction, and creators wanting to dispose of their creations (and vice versa). Dr. Shaw wanted a baby until she realized what the creature inside her would become. Maybe that’s why the Jockeys wanted to destroy mankind.

I’ve been reassured that I need to watch Prometheus again, and I think that’s true. There’s sure to be a lot that can be gained from subsequent viewings. I really liked how the TED talk viral video featuring Guy Pearce that was released prior to Prometheus tied in with the film. There’s undoubtedly more of that to discover.

So Prometheus gets an Open Hatch rating, since I’m grading it as its own film and not compared to Alien. Like many folks, that film is too ingrained in my head and heart. And like Stephen Stills said, if you can’t be with the one you love...


Saturday, March 3, 2012

Obsessive Cinematic Disorder: Who is Peter Weyland?


Hey, folks. Watch this clip, a viral video that popped up on JoBlo.com and other sites around the web this past week. It's promoting Prometheus, Ridley Scott's pseudo-prequel to Alien due later this year:


Now who the hell is Peter Weyland? Because Lance Henriksen already portrayed a character named Charles Bishop Weyland in Alien Vs. Predator. Check him out at the beginning of this trailer.



So who’s the Weyland of the evil Weyland-Yutani Corporation from the original Alien, Peter or Charles Bishop?
Wikia
Perhaps these are two separate yet related characters? AVP is set in 2004 and Prometheus supposedly takes place in 2023 (or at least that TED video does), so maybe Peter Weyland is Charles Bishop Weyland’s son or something? But Peter Weyland is obviously very British OWMYBRAIN.

Maybe Ridley Scott and company have simply retconned the Charles Bishop Weyland character out of existence and replaced him with Peter? The former character’s IMDb page lists Pearce and Henriksen as essentially playing the same part. Seems like kind of a strange move by the Prometheus crew.

Don’t get me wrong – I know AVP (and its sequel) – sucks hard. It shows you what people who want to piss on two great franchises at the same time can accomplish when they really put their minds to it. Lance Henricksen as Weyland was one of the few – if only – things the film got right, however. It was a cool bit of connective tissue between the original Alien films and AVP plus it made sense that Bishop, the android character Henricksen portrayed in Aliens and Alien3, was modeled after one of the founders of the company that created him.


Scott and company have most likely just ignored the AVP character. I guess the director can do whatever he wants, since he did start the franchise all the way back in '79. And Guy Pearce always turns in a great performance, even in a brief viral video.

So what do you guys think? Who's the real Weyland? Are Peter and Charles Bishop two separate characters in the same story or is one of them bogus?